I didn't initially care for dropping two of the main characters and replacing them with love interests for the remaining two. But once some of that seemingly forced soap opera-y stuff got out of the way, there were some decent stories going. Even the "Inferno" stories weren't too bad for being part of an unnecessary crossover.
But then this John Harkness guy started writing the book. The Fantastic Four were captured, an evil clone version of the team replaced them, and readers got several months of nothing but dream sequences. I was thrilled when Walt Simonson finally took over with #334.
Of course, what I didn't know at the time was that Englehart and Harkness were the same man, and that he was using a pseudonym because he himself didn't like what he was being told to do with the stories. So what was being done?
Englehart was brought in under Jim Shooter's rein as editor-in-chief to shake things up with the book. In Englehart's words from his own site...
The FF was always the "real life" adventures of superheroes, but as the series atrophied many people forgot about the real life part; growth and change went out the window. I identified the hermetically-sealed group of Reed & Sue & Ben & Johnny as a main reason the book has grown stale - and Reed & Sue had been saying for years that they should pay more attention to their perpetually 6-year-old son Franklin - so I let 'em. Thus, Ben & Johnny had to find two new members and do new things.A few months after Englehart began, however, Shooter was fired and Tom DeFalco was given the editor-in-chief role. Initially, he seemed to leave things alone, presumably as he was getting a handle on the new job. But when the next Annual came around -- which tied into the "Evolutionary War" story that ran through many of the 1988 Annuals -- DeFalco evidently started demanding changes that book editor Ralph Macchio put in place.
Changes were also being made on his West Coast Avengers title, and he tried to salvage some of the storyline he began there in FF #322-325. In an open letter Englehart wrote in 1990, he noted...
#322 through #325 were plotted as [West Coast Avengers] stories and shoehorned into FF when WCA was yanked from under Al [Milgrom] and me--that's why the FF is fighting [WCA] villains. #325 originally ended with the Surfer and Mantis getting together and leading into the shelved Surfer #23; in the end, I had to use it to kill Mantis with dignity, because she'd already been trashed behind my back...That's when DeFalco demanded that Englehart bring Mr. Fantastic and the Invisible Woman back into the book. Englehart then removed his name from the book and began using the Harkness pseudonym. Again, from that open letter...
As always, I did the best I could, because the fans ought not to suffer in these situations, but anyone reading them with the knowledge of what was going on will find them filled with cries of outrage--not the least of which was the entire plot. Alien freezes real FF, sticks 1962 FF in their place -- the man who raised stealing from Jack Kirby to Official Policy never got that, and if you understand that fact, you understand everything that's gone wrong at the House of Ideas. In fact, the 1962 FF was such a hit in the offices, they want to do a mini-series starring them. Almost all the 1962 FF's dialogue in the series was lifted verbatim from FF #1-3, by the way; it actually took a lot of extra time to make that work, but that's what their stunted characters required.Englehart now recalls that period as "one of the most painful stretches of my career." He tried to do the stories he wanted during this period, but basically had to relegate them all to dream sequences...
Anyway, the dream stories at the end were bare bones versions of the stories I would have done for real if I'd been able to; the last one, how Frank made Alicia leave Ben for Johnny, was the plot that got me the FF in the first place (over the then-not-in-charge Tom DeFalco). In one of my early FFs, back when they had letter columns, I said I had a long term plan working for the book; that was the first half of it. But in the end, as the titles very clearly said: "Bad Dream--And You Can't Wake Up!"I've never been able to find anything where DeFalco specifically talks to his view of what happened. The closest I've come across is an interview that he conducted with Macchio for Comic Creators on the Fantastic Four in 2005...
Why did Steve leave the book?It was an unfortunately inglorious end to what had been a very interesting take on the title. While I disagree with Englehart's initial premise -- that Reed and Sue were fundamentally problematic to the book moving forward -- I can respect some of the ideas that he was able to develop out of that. I didn't like that "John Harkness" period for years until I began hearing about some of the behind-the-scenes problems years later. I'll end with a small request from Englehart's 1990 letter...
We had a parting of ways, creatively. I remember there was a storyline he embarked on and I knew right away that we were beginning to see the characters differently. There were stories he wanted to do that just didn't work for me. I liked a lot of his run, but I didn't like the way he wanted to go so I made a change.
Anyway, now you know, so when you think back on my work, as you will from time to time, don't damn me for the stories I wrote under duress. There's a lot of ignorance and aggression around these days... but I'll continue to bank on the understanding of an informed public (still sounds like Captain America, doesn't it?). Let me reiterate that I did write every word of the best stories I could produce under the circumstances, even if every word didn't make it into print...
6 comments:
"DeFalco demanded that Englehart bring Mr. Fantastic and the Invisible Woman back into the book"
Then when Tom gave himself the job, he not only killed off Reed Richards but dragged out his death-vacation for more than two years…
A lot of DeFalco's run on the FF felt very seat-of-the-pants in terms of how it was written. No real plan beyond the next issue, maybe two. I suspect his editoring was done with much the same approach, which is underscored by John Byrne's comments about how he quit West Coast Avengers (and Marvel in general) because of DeFalco.
Yeah the seat-of-his-pants writing approach eventually became very evident.
What only occurs to me, now, is that this eventually drove me up the wall because I have such an opposite mentality. In a seat-of-your-pants world, I'm the person with my own records complaining "this sequence of actions over the past year, considered together, makes no sense!!"
Sean, I came into the FF and Marvel Comics around the same time, though I enjoyed Englehart's weird pre-Harkness stories, even if I didn't always "get" them (like you, it was only years later I learned the truth behind "Harkness."
About a decade ago, I became friendly with Steve and his wife and when they'd come to Vegas, we'd get dinner. Oddly, I never took the chance to ask him about those circumstances, but then again, I feel like his website (at least at the time) got into the issue pretty well. I was too busy answering his questions about living in Vegas!
I met Steve at a convention once (before he had posted online any real details about his tenure on the FF) and I asked him about it. He was polite enough, but he very clearly was still upset about it. And that was still a decade or two after the fact! So, it's probably for the best that you didn't bring it up! :)
Nice stuff! I recently got a "Harkness" issue (the one where Ben helps defeat the Frightful Four) and was immediately struck by that obviously made-up sounding name. So I looked it up and here we are, lol.
It's interesting- Jim Shooter was considered a tyrant by a lot of people, but Tom seems to have burned his fair share of creators during his long-ish run as EIC as well. Tom obviously had his own ideas of what the FF should be (you can tell because he gave himself that very job on his own, haha) and was probably halfway ghost-writing-by-interference the book as it was until he took over.
The "Editor makes me write the story HE wanted to write/read" thing seems to pop up again and again in comics history. Just part of the job, I suppose.
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