Today's Garfield: lackluster setup, funny drawing. I give it a B-.
— Les McClaine (@lesmcclaine) February 1, 2013
Today's Garfield: The chocolate Parthenon has discordantly spindly linework, destroying the reality of the strip. Weak joke. I give it a D.
— Les McClaine (@lesmcclaine) February 2, 2013
Today's Garfield: despite an intriguing use of the fourth wall in the throwaway panel, the rest of the strip seems static and forced. C.
— Les McClaine (@lesmcclaine) February 3, 2013
Today's Garfield: This is new. It used to be that identical panels were redrawn. Today we see Garfield cut and pasted in three panels. F.
— Les McClaine (@lesmcclaine) February 4, 2013
Today's Garfield: Copy/paste again. So dull it's not even fun to mock. The joke would fall flat in an amateurish webcomic. F.
— Les McClaine (@lesmcclaine) February 5, 2013
Today's Garfield: static art, again, but a kind of funny gag, if an overexplained one. B-.
— Les McClaine (@lesmcclaine) February 6, 2013
Today's Garfield: Again, a mostly copy/pasted strip with a weak joke. Perhaps Jim Davis was taking a week off? I am sadly unimpressed. D.
— Les McClaine (@lesmcclaine) February 7, 2013
I think McClaine's comment, "The joke would fall flat in an amateurish webcomic" is partiuclarly note-worthy. Can you imagine a comic like this surviving in the context of webcomics? I can't. I'll let you decide, though, whether Garfield's success is due primarily to marketing or just the context of other newspaper comics that were around when the strip debuted in 1978.
1 comments:
Interesting. I just had my students spend a few days vectorizing Garfield comics.
In the spirit of keeping my class conversational and fun, I've taken a few riffing jabs at particular strips and the series in general.
I prefer my gag-a-day comics to be one panel, as any multi-panel comic gets stale and formulaic to me after a few strips (though I still admire the weirdness of Grimmy), so most of my critiques actually take issue with the format, not just Garfield itself.
On the flipside, it's hard to deny that Davis' art style over the decades has evolved to something quite universally appealing in its simple, legible technique. For every bit (okay, maybe every other bit) of flak I throw his way, I have to give Jim Davis credit for creating something with such staying power and inviting, aesthetic simplicity.
Though I'm with you, I'm not quite sure what it is that's kept that boring cat around all this time.
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