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What I think is particularly interesting here is seeing how much impact a artist has on a comic. The stories presented on Split Lip seem to range a bit in quality. I think there's a general sense of improvement in craft from the earliest ones to the latest, and I think that speaks to Costello learning as he goes along. But there's some varying degrees of success, even the comics created roughly simultaneously -- suggesting that the artist's talents as a storyteller have a significant impact on the final execution. It seems a fairly obvious observation to make, but that all of the stories here are presented side-by-side with no gaps, the notion is rather pronounced.
Overall, the stories are reasonably well done. Obviously, the artistic quality ranges considerably as a new artist comes on board for each story, but some of them are quite good. (I'm rather partial to Clockwork Creature creator Kyle Strahm's work myself.) As I noted already, Costello's work improves over time. I think his earlier pieces aren't as successful, and I was even left just scratching my head on a couple. But his later ones work much better, and is a clear indication of where his talent is headed.
Personally, I'm not a big fan of the horror genre, so it's not a comic I'll be returning to regularly. But I think there's some good stuff for people who do enjoy that type of material. Costello is celebrating his comic's second anniversary this October by presenting a new comic every week throughout the month, instead of his usual one-a-month rate. If you're a horror fan, there's some stories worth a look.
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